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Logo and Cartoon Graphics

Definition in Plain English:

logo n 1 : a symbol or mark created for an individual, company or product that translates its use, function or essence into a graphic image

cartoon n 1 : a drawing making persons, animals or objects amusing, humorous or whimsical

cartoon logo n 1 : a graphic image drawn in an amusing or whimsical style, created for an individual, company or product used as an easily identifiable symbol or mark


Article #1
Put Your Best Business Face Forward With Affordable Graphics
by: Robert Gillen

We all know how important first impressions are. Like they say, you never get that second chance to make one. This holds true in our personal lives as well as in business. No matter what kind of business you're in, the first impression you make on a potential customer or associate can make or break the deal.

This is why it is so important to always put your best business face forward. What is your business face? Anything that customers initially interact with, such as your website, letterhead, advertisements, logos, or business cards make up your business face. If all these things don't work together to make a positive impression, your customers aren't likely to take that next step and eventually buy from you.

Many businesspeople think that making their business materials look and feel professional and enticing costs a lot of money, and it certainly can--but it doesn't have to. The Internet has virtually unlimited resources for inexpensive ways to spice up your logo, web page, stationery, business cards, and more. The cutting-edge graphics, animations, fonts, and clipart are out there just waiting for you to find them, and they're not necessarily expensive or complicated to use.

If you're willing to spend some time looking, there are many graphics libraries on the Web that offer images for download or printing. If you conduct a search for "clipart" or "graphics" you're likely to find several of these libraries, but be careful. Some of them will want royalty fees or charge monthly for membership, whether you use any art that month or not.

What you're looking for is royalty-free graphics; images that nobody wants payment for. You also want to use images only from sites that expressly say you don't have to worry about copyrights. The last thing you want is to be using images that belong exclusively to someone else.

Overall, the graphics you need are out there, and just because they're inexpensive doesn't mean they look cheap. There are select graphic libraries out there today that offer affordable, cutting-edge, impressive graphics for your use without royalties or copyright worries. Find them, and you can put your best face forward and make that all-important positive first impression.

About The Author

Robert Gillen is founder of http://www.GraphicsFactory.com The Graphics Factory offers 700,000 state-of-the-art clipart images, fonts, graphics, animations, and even coloring pages for just pennies per week, without royalties or copyright worries. Reach Robert at help@graphicsfactory.com or 1-800-339-2383.


article compliments of ArticleCity.com

Article #2
Your Logo: Much More Than a Decoration
by: Greg RS Kihlstrom

What are the company logos that you remember the most? As you are about to design your corporate identity, take a look around and notice the logos that are all around us. Most of the time, they are very simple icons. Sometimes they graphically represent exactly what the company does, but others are a simple mark that makes an impression. Here are some tips to help you get a memorable corporate identity of your own:

1) Find a Designer You Can Trust

First of all, you need to find someone that truly understands the importance of the creation and implementation of a company’s identity. Beware of a designer that says “Yeah, I do logo design.” A logo is only part of the package. In order for the logo to work, it needs a color scheme, fonts that complement it, and a complete ‘look and feel’ that ties all your communications together.

Take a look at the designer’s portfolio and make sure that they have designed memorable, striking logos, but also make sure that you take a look at how those logos were applied to different types of items such as business cards, brochures, Web sites and even 1-color giveaway items like pens and magnets. In every occasion, the logo and surrounding design elements should work as a cohesive whole. If they do not work, the designer does not understand the true idea of corporate identity design.

Make sure that the designer can answer tough questions about their design choices. There should be a reason behind everything that was done. Remember, your identity is going to be with you for a (hopefully) very long time.

There are now many cheap, fast logo creation services online. Many people are satisfied with these services, and they seem to do a decent job of creating a logo. But corporate identity design is a whole other matter, and these logo design Web sites don’t fully address this more complex issue.

2) Think Simple

Once you find a designer, make sure to explain to them everything that your company does. Make sure that you can articulate your company’s philosophy of doing business and what sets you apart. The corporate identity process depends on conceptualizing all of these abstract ideas.

Remember, though, that some times the simplest expressions are the most memorable. If your company manufactures widgets, trims them on a machine and then delivers them to a store, don’t expect to be able to show that entire process with one small icon. Instead, concentrate on what sets you apart. Maybe it’s your personal touch, your strong foothold in the marketplace or your innovative ideas. Don’t be afraid to simplify.

3) It’s All In a Name

Sometimes your corporate identity design might simply be your company’s name. Take Sony®, for instance. No need for a fancy icon beside the name. They have made their name speak for itself. Now, you might be thinking that your 2-person company in a small town will never be competing with a large multi-national corporation, and you might be right. You can still make a striking impression with everyone that sees your company’s name, though.

Also, remember that different types of fonts say different things about you and your company’s identity. A serif font, or one with small decorative lines, such as Times Roman, can say that you are a little more traditional, established and conservative. A sans-serif font, or one without the small decorative embellishments such as Arial or Helvetica, looks more modern and clean. Either one has its place.

Some times I use a combination of font types to create a refreshing contrast, or create a clean, modern logo and use a serif typeface to create a balance between traditional and modern. The best part is that there are no hard and fast rules.

4) It Helps to Squint

As you are finalizing your corporate identity design, make sure that you continue to imagine it being placed in any possible situation or surface. A trick I use some times is to put the logo and company name on my screen or print it out and hang it on the wall. I back as far away as I can and squint. If the resulting image is still pleasing to the eye, then it works on an aesthetic level, even without reading the text or knowing exactly what the logo design might be. Make sure that the colors represent your company correctly.

Your identity designer should be able to explain their color and font choices to you without trouble. Don’t let them tell you that they just “thought it looked good.” There needs to be a meaning behind your corporate identity design, even if it is abstracted.

The corporate identity process can take a few weeks or it can take a few months. It might seem like it takes forever sometimes, but remember that once the process is over, you’ll have a lasting look and creative direction for your company for years to come.

About The Author

Greg RS Kihlstrom is creative director for Carousel30 - http://www.carousel30.com. His corporate identity work has won international awards and been published in books, magazines and design Web sites.

article compliments of goarticles.com


Article #3
In modern print media, a cartoon is an illustration, usually humorous in intent. This usage dates from 1843 when Punch magazine applied the term to satirical drawings in its pages, particularly sketches by John Leech. The first of these parodied the preparatory cartoons for grand historical frescoes in the then-new Palace of Westminster. The original title for these drawings was Mr Punch's pencillings and the new title "cartoon" was intended to be ironic, a reference to the self-aggrandising posturing of Westminster politicians.

Modern gag cartoons are found in magazines and newspapers and generally consist of a single drawing with a caption immediately beneath or (less often) a speech balloon. Many consider New Yorker cartoonist Peter Arno the father of the modern gag cartoon (as did Arno himself). Gag cartoonists of note include Charles Addams, Gary Larson, Charles Barsotti, Chon Day and Mel Calman


Top Informational Websites

eCartoonLogos


The Curtoons Cartoon Company

Vlad Kolarov, A heavy-weight champion in humorous illustration

Logo Samples, Cartoon Logos

The Cartoon Spot


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